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SEVEN MOVIES SNUBBED BY THE OSCARS THAT DON'T SUCK

Ah, January. A month of cold, slush, snow, sleet and general shit that signifies the beginning of the end to winter. A month of perpetual monotony and crushing boredom that toys with our sanity on a daily basis as we are forced to remain locked up in our homes, protected from the terrible weather that howls and threatens us outside. We survive this long and brutal month with a carefully chosen supply of beer, movies, books and video games, relishing every new moment that manages to squeeze through the repetition, and cursing the ones we miss out on.

Yes, January is a cruel month devoid of any redeeming qualities whatsoever.

It is also the month when the Oscar nominations are announced.

A joyous time for filmmakers and film fans alike (but mostly for the filmmakers), this years nominations are a fairly predictable, but no less deserving, lot. However, as with any awards year, one can still wonder about the movies that didn’t make it – the good movies that apparently just weren’t “good enough” as it were. Deserving of an Academy Award? Perhaps not. But that doesn’t mean they don’t deserve any kind of recognition.

Here then, are a few movies that could have (and in some cases should have) been considered in this years Oscar race. (And a few I’m genuinely surprised didn’t make it).

The Town

Ben Affleck’s crime opus “The Town,” despite receiving rave reviews across the board (currently holding steady at 94% on Rotten Tomatoes) was pretty much universally snubbed come Oscar time. Sure, Jeremy Renner received a nod for Supporting Actor (and thank Xenu for that, I guess) but otherwise, nothing. While a nomination for Best Director might have been a stretch (though with this, and “Gone Baby Gone,” Affleck has shown that he is unequivocally a much better director than he is an actor, and will hopefully one day Kevin Costner himself a trophy) I was genuinely surprised that it was left out of the Best Picture category – especially considering the recent addition of five more spots. Sure, it’s not “True Grit” or “Winter’s Bone” good, but it’s at least on the level of “The Kids Are Alright,” “Toy Story 3” or the much over-hyped “The Fighter.”

Tron: Legacy/Scott Pilgrim Vs. The World

Let’s get one thing out of the way right off the bat in regards to “Tron: Legacy.” “Tron: Legacy” is by no means a good film. It is, in fact, a quite terrible film. However, that doesn’t necessarily take away from its technical achievements. The special effects are quite good throughout the film (including the de-ageifying of Jeff Bridges) and hold up with the effects on display in any of the other nominees. Ditto “Scott Pilgrim” a movie that benefits from not only having original and intriguing special effects, but by also being good. I was also amazed that neither film made any impact in the musical categories. “Pilgrim’s” songs, while perhaps the weakest part of the film, were no worse than anything else nominated this year, and "Tron's" Daft Punk enhanced score was also quite excellent. But, hey...at least "Tangled" got nominated for something, right?

Monsters

“Monsters” is an odd choice, I know. I honestly can’t think of any category where it really belongs. While it is somewhat similar to last year’s dark horse best picture nominee “District 9”, it’s not nearly on the same level as that film – or any film nominated this year for that matter. And, with a budget of under $500,000, the special effects aren’t remotely Oscar worthy, especially when compared to such visual juggernauts as Inception or Harry Potter. Still, it’s hard not to root for such a great little flick, especially one with such a small budget and little to no fanfare or support surrounding it. Was there a place for it in this year’s Oscar race? Probably not, but few people would have complained if it had slipped in, and any sort of recognition for an original, independent production is always welcome - especially during this reboot and sequel happy era of film-making.

The Ghost Writer

Despite being hailed by many critics as Roman Polanski’s best film in years (and, despite his questionable legal troubles, the man does shoot a good picture), “The Ghost Writer” didn’t really make much of an impact when it was released. Thrillers aren’t normal Oscar fodder for sure, and as such “The Ghost Writer’s” genre may have been it’s eventual undoing. Still, there’s a lot to like here. Polanski’s assured direction is the main attraction, but it’s Pierce Brosnan’s portrayal of a Tony Blair-esque prime minister that’s really underrated. With this film, Brosnan has shown that he’s a more capable actor than most people normally give him credit for, shedding his James Bond image to deliver a fine performance that could have been Oscar worthy. While I have no complaints with the actual supporting actor nominations this year, it’s nice to see that Brosnan may get recognition in the future, as he capably enters the twilight of his career.

I Am Love

This might be the most mind-boggling omission on the nominations list. While it was nominated fore best costume design (a worthy nomination) it was inconceivably left of the best foreign film ballot, a nomination that many thought it was a lock for. While it’s snub for best foreign film is fairly ridiculous, I was also surprised that there was no recognition for Tilda Swinton’s performance. Her performance in this and 2008’s “Julia” are both magnificently acted, and were both worthy of best actress accolades. Perhaps the film’s low distribution did it in; regardless, Swinton remains one of the most brave actresses working today, and deserves to be recognized as such.

Inception

Apparently "Inception" directed and edited itself. If there was one category where this film should have been nominated, it was film editing. That snub, combined with Nolan not be recognized as one of the best directors of the year, suggest that the only reason it was nominated for best picture in the first place was to please the general public, and hope that they actually tune in this year. If you thought Nolan was robbed when "The Dark Knight" was shut out, you ain't seen nothing yet.

Final Thoughts

So, there you have it. When you’re frantically trying to catch up on all of the major nominees this year in preparation for the Academy Awards telecast in February, throw a few of these into the mix as well. They may not be Oscar material, but that doesn’t mean they should be forgotten.

(For the record, I expect “The King’s Speech” to clean up this year – and deservedly so).

FIVE ACTORS THAT ARE MORE BADASS IN REAL LIFE THAN IN THE MOVIES

In the pantheon of great movie stereotypes, truly only one can reign supreme. You have your heroes; you have your damsels in distress; you have your power hungry villains, your tough talking, ass-kicking chicks, your wise old African-American mentors, and of course, your comic relief sidekicks. All are excellent tropes to rely on when you're either too bored, uncreative or stupid to create a truly original three-dimensional character. But none are nearly as awesome or as ripe with limitless potential as the cream of the one-dimensional crop.

I am talking about, of course, the badasses.

Actor's aren't normally known for being badasses in real life. They're artists and poets, which, while cool, doesn't really strike fear into anyone's hearts. Thus, while many actors have played badasses onscreen, few have completely managed to embody such roles with the fervor and realism that such roles require.

As the saying goes, if you want something done right, you must do it yourself. Or, in this case, if you want a badass onscreen, get a badass in real life to play him.

Here then are five Hollywood actors whose dastardly, violent, and all around badass roles in the cinema, are nothing compared to their real life experiences. Serious. Real. Badass.

DANNY TREJO

Danny Trejo, perhaps best known for his role as the scariest looking man in any movie he ever appears in, ever, is a badass.

Plus, he has wicked formal wear.

Born in Los Angeles in 1944, Trejo spent the majority of his childhood roaming the streets of his city with his uncle, committing petty crimes, scaring the general populace, and getting addicted to heroin. While this isn't generally acceptable behavior (Trejo himself will attest to that now), it still isn't the type of childhood you normally attribute to a Hollywood actor.

Eventually, Trejo seemed to grow tired of the thug life he was leading, (as well as his numerous arrests) and decided to try his hand at boxing - a reasonable enough career change, I suppose. Unfortunately, said career changed was momentarily sidelined when he was invited to San Quentin State Prison to serve a lengthy sentence. I say "momentarily" of course, because Danny Trejo wasn't going to let anything as small as being sent to state prison stand in the way of his dreams.

What's more badass than being a boxer with enough talent, skill and toughness to take on opponents in the real world? How about being a boxer who only fights hardened state criminals? How about being a boxer who only fights hardened state criminals, and routinely wins?

You can't really tell, but he's also sharpening a machete here.

And "routinely" might be a bit of an understatement. Trejo not only continued to excel at boxing in the rumble tumble arena known as prison, but was also crowned the California State Prison champion in both the lightweight and welterweight divisions. He accomplished this while serving his time and simultaneously attending a twelve-step program, which helped him, overcome his drug addiction - which in itself is pretty badass.

Nowadays, Danny Trejo can be found badassing it up in countless films and television shows, playing anti-heroes, sidekicks, villains and general no-goodniks. While he seems to excel at these roles, his real passion lies in talking to kids and schools about avoiding the mistakes that he made as a kid - saving troubled young teens from the pitfalls and bad decisions of his childhood.

Currently he can be seen in the direct-to-DVD action epic "Death Race 2", portraying Luke Goss's sidekick. There's a pretty sweet online contest for the movie as well - you can learn to death race yourself. It won't make you nearly as badass as Danny Trejo, but it's a start.

MICKEY ROURKE

One need only look at the disfigured mass of pulpy red flesh, gross scar tissue and vein-y lumpiness that Mickey Rourke calls a face to come to the conclusion that he is, in fact, a badass.

Also, any actor who can emote that well without the use of his face - badass.

Raised in Schenectady, New York, Rourke, like Danny Trejo, initially took to boxing as a possible career choice - winning his very first match at the tender age of 12. (For the record, that was about the same age I was when I won my first match in "Goldeneye").

Rourke's boxing career was short, though, as he kept suffering form concussions. In 1972, he temporarily retired after compiling 20 wins - 17 by knockout. Not too shabby, that.

Then came his movie career which was fun, I guess, and garnered him much praise and accolades and whatever. All very standard stuff. Luckily, we are not dealing with a standard man, and it didn't take Mr. Rourke long to decide that his real passion was boxing, not acting. Fearing that he was self-destructing, Rourke decided to take a break from acting and allow others to help destruct him. He returned to boxing in 1991, going undefeated for his first eight fights. (Though his face certainly tells a different story). Oh, and he was trained by a former Hell's Angel.

Rourke was raised as a Roman Catholic, and still practices his faith to this day. He attributes that faith, as well as his love of dogs and his relationship with some therapist he calls "Steve" as being the things that saved him, and eventually allowed him to re-enter society after a lengthy, face-smashing hiatus. Not necessarily badass, that, but after seeing just what got him there, you gotta give the guy some credit.

Most recently, Rourke was seen hamming it up as the villain in "Iron Man 2" alongside Robert Downey Jr. Not bad for a guy who most people had completely written off by about 1993.

LEE MARVIN

Lee Marvin, who once starred in a Western romantic comedy musical with Clint Eastwood, is a badass.

Anyone who can still look threatening wearing that outfit...badass.

Like most ultimate badasses, Lee Marvin started young. As a strapping young teen, Marvin used to hunt deer, wild turkey, bobwhite (which is some kind of adorable bird) and fucking pumas in the (then completely uncharted) Florida everglades. (For the record, I once got lost in my own backyard and had my wallet stolen by a toad. This guy was in dangerous swamplands, hunting pumas - presumably for the hell of it).

Not content to just shoot wild and dangerous animals in Florida, Marvin eventually joined the United States Marine Corps, serving as a (you guessed it) sniper. During the WWII Battle of Saipan, most of his platoon were killed – Marvin himself was injured after being shot in the ass. With a machine gun. For this he would earn the purple heart, and perhaps even more notably, inspire the events of Forrest Gump. (I’m just guessing at that last one).

Marvin would later go on to star in countless films, usually as a tough and grizzled cowboy, cop, veteran, or general badass. Perhaps his most famous role was in the classic The Dirty Dozen – though, one can not discount his appearance in "Paint Your Wagon" where he received billing over Clint Eastwood. He also sang a lot in that one, without a hint of self-consciousness. Bad. Ass.

Er...

Sadly, Marvin suffered a heart attack and died in 1987, at the age of 63. He is interred at Arlington National Cemetary.

DOLPH LUNDGREN

Dolph Lundgren, star of "Masters of the Universe", "Rocky IV" and "Universal Soldier", is a bad ass, though perhaps not quite as bad ass as everyone else on this list. But he's close, and it gives me an excuse to post what is quite possibly the greatest video of all time, so I'll let it slide.

While not a complete badass like Danny Trejo or Audie Murphy, Dolph does still sport some considerable credentials. He is apparently trained in judo, Goju-ryu and Kyokushin karate, which other than the word "judo" and "karate" are things that I don't understand. He even holds the rank of 3rd black belt in Kyokushin, and won the European championships in 1980 and 1981. He also won a heavyweight tornament in Australia, and was the captain of the Swedish Kyokushin karate team. What this all means in layman's terms, is that Dolph could pretty easily kick your ass - and probably the asses of everyone else on this list. Perhaps he's not such a lightweight badass after all.

Ah, but there's more to Dolph than his ass-kicking abilities! The man has a brain as well - and a considerable one at that. Not content to just be perfect in the body, Dolph has focused on increasing his mind's ass-kicking prowess as well. Lundgren possesses a master's degree in chemical engineering from the University of Sydney and was awarded a scholarship to MIT in 1983 - but quit to pursue acting. While I'm sure he's more than happy with his career choices, one has to wonder if missing out on a chance to go to one of the most prestigious schools in the world was really worth a starring role in "Red Scorpion".

Clearly, it was.

All of this mind and body stuff is fine and dandy, sure. But it is Dolph Lundgren's soul that pushes him over the edge and into clear cut badassedry. He may be smart; he may be buff; but can he sing and dance while busting out karate moves and wicked drum solos? I mean, after all, that's the real test, isn't it?

Well played, Lundgren.

AUDIE "Goddamn" MURPHY

All of the above actors are, indeed, badass. But none of them even come close to the glorious badass-capades that encompassed Audie "Goddamn" Murphy. Sure, Danny Trejo and Mickey Rourke can box. Sure Lee Marvin hunted pumas in his free time (I'm speculating here, but probably with his bare hands) and sure Dolph Lundgren can righteously kick your ass while reciting the periodic tables.

But none of these feats hold a candle to Audie "Goddamn" Murphy.

Why, he's adorable!

He is known as the most decorated soldier in the US military, having compiled a list of military accomplishments that is as mind-boggling as it is badass - perhaps his most incredible feat of of holy-shitness being when he single fucking handedly fought a German squad for nearly an hour, utilizing the machine gun on an abandoned (and on fire) tank to hold them at bay.

The fact that he accomplished this at all is incredible. But when you take into account that both his age and his size (about 5'5") nearly kept him out of action to begin with (he had to lie about his age and overcome his size) really drives the point home.

Murphy eventually wrote an autobiography about his time at war (appropriately titled "To Hell and Back") which was made into a movie in 1955. When it came time to cast Murphy in the film, the filmmakers were hard pressed to find any actor who could effectively portray Murphy's rampant levels of badass onscreen.

So, obviously, they cast Murphy. And the movie became Universal Pictures highest grossing film of all time - a record it held until 1975, when "Jaws" was released. That's right. The only thing Hollywood could come up with in twenty years that could possibly unseat Audie Murphy as the ultimate badass, was a giant killer shark.

Which Audie Murphy probably would have destroyed, with his teeth, within the film's first five minutes.

FIVE ACTION MOVIES FROM 2011 THAT LOOK RIDICULOUS ENOUGH TO PROBABLY NOT SUCK

Ah, action movies. Testosterone-fueled bloodbaths that kick you squarely in the balls until you vomit up your own semen – but in a good way. And to the max.

Audiences the world over seem to have a love/hate relationship with action movies. That is to say, men love them and women (generally) hate them. Action movies as a genre seem to be very male-dominated, highlighting the simple things in life men hold in their esteem above all else: big guns, big explosions, and big…guns. You know. The female kind.

So, in honor of our collective obsession with violence, fire, and the occasional witty
(if not completely unnecessary) quip, let’s take a look into the future to see what
Hollywood has in store for us.

Action movie wise.

Yeah.


HOBO WITH A SHOTGUN

Set for a spring 2011 release, “Hobo With A Shotgun” started life as a fake trailer
in Quentin Tarantino and Robert Rodriguez’s “Grindhouse.” Originally meant as
a joke sandwiched between Rodriguez’s “Planet Terror” and Tarantino’s “Death
Proof” (which was also a bit of a joke), the deliciously over-the-top parody of 70s
exploitation films took on a life of its own – and both the concept and the execution
proved to be infinitely more intriguing than either of the actual features that
book-ended “Grindhouse”. Like “Machete”, another fake trailer that was itself turned
into a ridiculous feature long film by Rodriguez, “Hobo With a Shotgun” will
soon be reborn as an honest-to-goodness full-length movie, once again starring the
indomitable Rutger Hauer as the title transient.

When you think murderous homeless person, you think Rutger Hauer.

Wikipedia's plot write-up for the “ film” goes something like this – “ Hobo With a Shotgun concerns a homeless man (Rutger Hauer) who becomes a violent, shotgun-wielding vigilante upon entering a crime-ridden city.”

And if that, combined with this in-your-face trailer of nonstop wtf-ness, doesn’ t convince you this movie must be viewed post haste, nothing will.

DEATH RACE 2

Death Race 2 is actually the third Death Race movie – following in the footsteps
of the original, Death Race 2000, and the 2008 remake simply titled Death
Race. Labeled as a prequel to both movies, it promises to show the origins of
the “Frankenstein” character, a Death Racer originally played by David Carradine,
and then inexplicably by Jason Statham in the remake.

"I'm mediocre!"

All of this information is pretty much completely useless, by the way, as the plot of
any movie named Death Race is pretty much secondary to its main focus – racing
cars and blowing them up, real good.

Even in picture form it's glorious!

The latest foray into the wonderful and violent world of death racing promises
more of the same – but with a surprisingly strong cast that normally wouldn’t be
assembled for a direct-to-DVD film. The original featured David Carradine and Sly
Stallone; the remake had Statham, the awesome Ian McShane, and somehow the
great Joan Allen headlining it. The DVD prequel doesn’t disappoint either, with death
racers and death racing enthusiasts played by Sean Bean, Ving Rhames, and
the badassedly awesome Danny Trejo (who has never once disappointed me given his innate abilities to be awesomely badass in everything he’s ever appeared in).

While it won’t win any Oscars (not that the Oscars are really the high bar of quality they used to be) it looks to be a pretty enjoyable romp nonetheless – and much higher quality than your usual direct-to-DVD fare. There's also a pretty badass online game for the movie as well - inexplicably with higher production values than most direct-to-DVD movies. So this movie's gotta be good.


DRIVE ANGRY 3D

This movie looks absolutely terrible. And amazing. But mostly terrible.

Which makes it amazing. Trust me on this.

Nicolas Cage has, for reasons completely unknown, spent the last decade or so
completely tearing down the respectable career he’d built up for himself in the
90s, and reshaping it into something that straddles the line between pathetic and

pathetically hilarious.

"I'm Nicolas Cage! I'm a National Treasure!"

Nick returns with a vengeance in Drive Angry 3D (apparently Drive Pissed 3D
and Drive Upset Because You’re Having a Difficult Time Balancing One of Those
Cardboard Coffee Trays On Your Lap 3D were already taken) as a dude,
returned from the dead to kill another dude for killing his daughter. Or something.

Like this, except...actually, EXACTLY like this.

The great William Forsythe (who, unlike Nicolas Cage actually IS above this stuff)
co-stars, along with some hot southern chick, and Nicolas Cage’s increasingly
terrifying hair – which promises to steal the show simply by somehow being more
insane than the rest of Nicolas Cage could ever hope to be. (And that’s saying
something).

It's learning...

Here’s the trailer. Judge for yourselves, but trust me on this – drunk, with some
good friends and some kind of Cage based drinking game, this movie’s going to be a
helluva lot of fun.

REAL STEEL

They’ve made rock ‘em sock ‘em robots into a feature length film! And Hugh
Jackman’s in it! Quick, everybody! Watch!

COWBOYS & ALIENS

Unlike some movies on this list (I’m looking at you, crazy Nicolas Cage hair) this one
promises to be not only completely badass – but also pretty damn good. Based on
the graphic novel by Scott Mitchell Rosenberg, this movie manages to be the first
movie in history (that I’m aware of, anyways) to combine cowboys with bloodthirsty
extraterrestrials – a concept that, in retrospect, seems like a fucking no-brainer.

HOLY SHIT.

Directed by Jon Favreau (hot on the heels of Iron Man) the movie features a Sunday-morning-brunch-buffet-sized cast dripping with steaming hot badassery garnished
with a side of awesome, and topped off with a mammoth cup of “holy fucking
shit” that comes with the meal free of charge.

Daniel Craig, Sam Rockwell, Clancy Brown, Keith Carradine and Harrison Goddamn
Ford take the reins in what promises to be an epically gorgeous display of brutal
eye-rape that will leave you breathless and unwilling to call the police because – guess what, bitch? You kind of enjoyed it.

Oh. Yeah.

So there you have it, folks. Some shit to look forward to in the coming year, before we’re all horribly killed in the inevitable Apocalypse.

Which will probably somehow still manage to feature Nicolas Cage. Or happen because of him.

You can read Lu Galasso semi-regularly at Inching Towards Mediocrity - usually with considerably less use of the word "badass".

FIVE UNDERRATED COMPUTER-ANIMATED FILMS THAT DON'T SUCK

Animated films have been around almost as long as movies have been made, and in the last days of the 20th century we made the transition to computer animation. Hits like Toy Story, Shrek and A Bug’s Life set the stage for the movies to come, and while franchises like Toy Story have continued to be enormously successful years after the first film debuted, others have fallen through the cracks (and by “falling through the cracks” we mean “didn’t make a billion dollars”. Seriously.) Here at Turning Down The Suck we would like to honour some of our favourite computer-animated films you might not have seen because you were too busy lining up for the new Tron movie. Not that we blame you, because that's going to kick ass.

ANTZ (1998)


"Antz" was the second-ever computer animated feature film to be released in the United States, but somehow didn't gain even a fraction of the popularity of Toy Story. This may have something to do with the fact that Pixar released "A Bug's Life" a month after "Antz"; "A Bug's Life" did markedly better at the box office. Unlike the Pixar film, "Antz" was far more mature in tone and may have suffered financially for it. Woody Allen is the star and plays a neurotic and physically-inept 'ant' version of himself (seemingly ad-libbing most of his lines to hilarious effect); fans of Allen would agree his humor doesn't translate well to children. Woody is backed by an ensemble cast including Sharon Stone, Gene Hackman, Sylvester Stallone, Jennifer Lopez, Christopher Walken and many more. Add in homages to other grown-up films like "Pulp Fiction" and "Rambo" and you've got a recipe for a great film - for grown-ups. Overall, "Antz" is a great flick with lots of laughs and lots of big star voices. And for the record, "Antz" has a higher rating on Rotten Tomatoes than "A Bug's Life". Take that, Pixar.


DESPICABLE ME (2010)


I can't say tthis film didn't do well at the box office or didn't do well critically, because it certainly did. But considering it's most likely still new to people, I figured it's worth throwing on the list for those few people who didn't see it. "Despicable Me" is being hailed as one of the year's most likable family films, as it appeals to both audiences: nutty slapstick for the kids, and an intelligent examination of the post-modern family for the adults. It's quick, funny and original enough to keep both adults and children entertained. The ensemble cast of Steve Carell, Jason Segel, Russell Brand, Julie Andrews, Will Arnett and many more are the voices of the film, many trying different accents and voices you wouldn't usually hear from them. Toy Story 3's dominance at the box office may have caused this original story of orphans, world domination and evildoings to slip under your radar a bit, but I highly recommend you watch this one. It's the perfect balance of intelligence, heart, humor and RIDICULOUS IN YO FACE 3D.


MONSTER HOUSE (2006)


This one has to be credited for its imagination and straight-up balls. Before "Monster House" I don't think a family-oriented animated flick existed that set out to not only make the audience laugh and impress them with visuals, but also scare the hell out of kids. Beyond the impressive suspense scenes and creepy design, the film is hailed as a breakthrough in motion-capture techniques, as it's beautifully detailed and smooth, making for an immersive, engaging concoction of film entertainment. If a good laugh and technologically impressive animation aren't enough for you, it also features a rich and layered script that pleases both children and adults.


FLUSHED AWAY (2006)


This witty, clever and original film with the Aardman trademark design (Chicken Run, Wallace and Gromitt) had a bit more in it for adults but still gave plenty to the children. For the adults, it's all about dry British edge and intelligent dialogue, but the visual gags (particularly the singing slugs the main character encounters at various points on his adventure) were all for the kids. While most animated movies boast big-name, recognizable Hollywood (read: American) stars to get asses in seats, "Flushed Away" opts to cast less-famous character actors to bring their creations to life - including Bill Nighy, Ian McKellan (okay, he's kind of famous), Andy Serkis and Jean Reno (as a frog, of course). Hugh Jackman and Kate Winslet round out the cast as the lead characters, so I suppose there's still a bit of star power there - though I have no idea what Kate Winslet has been doing since she got naked in "Titanic". Then again, does it matter? I'm gonna go watch "Titanic".


KNICK KNACK (1989)


Though not a feature film, Knick Knack deserves mention due to being the first computer animated film that gave genuine life to characters, on top of a smooth and crisp animation that had never before been seen. This short was the last animation Pixar created before hitting the big time with the original "Toy Story". John Lasseter's work way back in 1989 was also named in Terry Gilliam's top 10 animated film's of all time. If Terry Gilliam approves, need I say more? I submit that I do not, so I won't.

FIVE COMMERCIAL MASCOTS THAT DON'T SUCK

Recently, I wrote a couple of guest blogs for Alex James State of Affairs, which can be found here, and here. The first one was a list of some of my favorite commercials – a fun little endeavor that gave me an excuse to watch some television (research!). I’ve decided to follow up on that with a second (this won’t become a series, I assure you) look at the commercial ad world. So brace yourself, dear reader, for we are about to descend into the wacky world of commercial mascots

It has come to my attention that Energizer has seemingly done away with their famous bunny. While I always liked the little pink furball, he has been going (and going…and going…and going…) for quite some time now, and could probably use a rest. Now the battery company features anthropomorphic household items, singing and dancing, and having an otherwise merry ol’ time, until they collapse into twitching heaps from over-exertion (and, of course, non-Energizer batteries).

In honor of the our long eared friend’s retirement, I thought I’d take a quick peak at some other famous advertising mascots over the years who have, at least to my knowledge, also been left behind.

Warning, dear reader – nostalgia ahead!

Fido Dido

Fido Dido was originally a napkin doodle created by Joanna Ferrone and Sun Rose. The two later stuck Fido on t-shirts with the inane slogan “Fido is for Fido, Fido is against no one” emblazoned beneath him. For some inexplicable reason, these t-shirts were very popular in New York. Licensed by PepsiCo in 1988, Fido became a commercial celebrity by hocking 7-Up. He even had a video game based on his antics, created for the Sega Mega Drive, but it was about as successful as you would assume a video game for the Sega Mega Drive starring a commercial mascot would be.

A&W Bear

The Great Root Bear (get it?) is still used for some A&W products, but his television saturation has become extremely limited. Sporting his orange sweater and pom pom hat, the Root Bear would often greet us on screen accompanied by his trademark theme song – a tuba driven jingle appropriately called “Ba-Dum, Ba-Dum.” The song was actually released as a single in Canada; the bear, however, was replaced by this guy.

Dave Thomas

Dave Thomas, the kindly old founder of Wendy’s restaurants (famous for their square burgers and terrible French fries) was also the kindly old mascot for the chain – appearing in over 800 commercials from 1989-2002. His old man charm combined with his old man looks made him the most adorable human mascot in the history of fast food. And then he died.

The Noid

The Noid was red-suited, rabbity looking creature, who hated Dominoes pizza for some reason, and would stop at nothing to thwart their attempts to bring hot circles of goodness to the hungry masses. Like most things that don’t make any sense, he was created in the ‘80s.

Ronald McDonald’s Creepy Background Characters

I think the majority of these fine freaky folks may still be in rotation on TV - prancing around McDonald land, eating fatty foods and being generally creepy. The gang's all here - Grimace, the Hamburglar, that bird thing, the fluffy guys who I think are supposed to be french fries, some talking food...and yet, it's been a while since I've come face to face with any of them (other than the clown) for quite some time. Whether it's because they have been removed from distribution, or because I have just carefully avoided them for the past fifteen years, is, as always, debatable.

So there you have it, folks. Some long gone commercial celebrities from a bygone era...some fondly remembered, others...not so much. What are some of your favorite commercial mascots?

EDGAR WRIGHT: A DIRECTOR WHO DOESN'T SUCK - by van der Sweet

Even if you've been living in a hole underneath a rock on another planet for the past decade, you're probably still aware of Edgar Wright's existence. The British director has delivered some of the finest comedies to the big screen within the last six or so years and with his latest directorial effort "Scott Pilgrim vs The World", he doesn't look like he'll be stopping any time soon.

You'll surely recognize Edgar Wright's trademark directing. His fast action-style editing including whip-pans, crash-zooms and clever transitions have been a staple in all his movies. His distinctive style clearly shows he has a grasp on modern editing techniques and a surprisingly impressive eye for the visuals.

Have I mentioned that he's also a writer? That's right: the blockbusters he's directed were also written by him. Wright has teamed up with longtime friend Simon Pegg to co-write the zombie-comedy "Shaun of the Dead" and cop-buddy-action-comedy "Hot Fuzz". Wright's deadpan humor and dry British wit and sarcasm have been critically acclaimed thus far, and have launched his career as one of the finest merchants on the comedy block.

I will now use these three examples to illustrate why Edgar Wright Is a Director Who Doesn't Suck. To celebrate Scott Pilgrim vs The World's impending Blu-Ray and DVD release (November 9th, 2010), I'll start with that....

EDGAR WRIGHT DOESN'T SUCK REASON #1 - Scott Pilgrim vs The World

I'm downright mystified how this movie didn't do incredibly well at the box office. It should've been an absolute hit. Were Americans perhaps turned off by the strong visual presence of Toronto/Canada in the film? Did people think it was a film meant for hipsters? Makes no sense to me. The film is based on Bryan O'Malley's series of graphic novels (comic books to you idiots). In my humble opinion it has been the funniest, most furiously action-packed film of the year (yeah, I totally stole that line from the very first review on Rotten Tomatoes, but still - it's true), and one not just for the Nintendo generation, but for all. Yes - it may include comic books, video games, grunge rock and geek drama, but in the end it caters to everyone's needs strictly due to the fact that Edgar Wright made it that way: through his stylistic directing and hilarious quick-witted writing. It's probably the closest you'll ever see a comic book coming to life. Watch the damn trailer, and then pick up the Blu-Ray/DVD on November 9th:



EDGAR WRIGHT DOESN'T SUCK REASON #2 - Hot Fuzz

Hot Fuzz is a parody of the cop-buddy action films of the late 80's and early 90's. But here's the thing; despite being a parody and comedy film, it's actually a genuinely impressive action film. Edgar Wright and Simon Pegg are surely proud of "Hot Fuzz" strictly for its action sequences, as it holds nothing back and in fact delivers even more than most comparable modern flicks. And then of course there's the comedy aspect. It's clear that Wright studied the action genre endlessly, as his roast of the genre was brilliantly executed. Edgar Wright's crew and style have been compared to Judd Apatow's a lot of late, and if Apatow's attempt at making an action comedy was through Seth Rogen's "Pineapple Express", Wright's "Hot Fuzz" makes it look like a complete joke. Don't miss the violent blow-out of a finale. Here's the trailer.



EDGAR WRIGHT DOESN'T SUCK REASON #3 - Shaun of the Dead

Shaun of the Dead has the distinction of being not just the greatest zombie parody ever made - but also one of the best zombie movies of all time, period. Wright's epic zombie romantic comedy - or ZomRomCom, if you will - is not only a funny and inventive new take on the genre, but also a genuinely frightening, touching and, of course, gruesome addition to the genre on it's own. It manages to combine the slapstick comedy of Return of the Living Dead (another great ZomCom) with the social comedy found in a Romero film (the opening sequence depicting non-zombified Londoners dazedly going about their daily lives is both hilarious and startlingly accurate), and never allows itself to descend into true parody. It's funny, inventive and mocking, yes, but it's also a gripping tale on it's own, making it a legitimate film. And a funny and unique one at that. Aaaaaaaaand the trailer...



For Edgar Wright fans in Toronto, the man himself will be in the area on Friday November 5th. He'll be at the HMV on 333 Yonge St. (Yonge and Dundas) for an in-store signing celebrating the upcoming release of Scott Pilgrim vs The World. Later that night he'll be holding a Q&A and screening of Scott Pilgrim at the Bloor Cinema. All the info is HERE.

Cheers, darlings.

Halloween Costumes That Don't Suck! (And a Few That Do.)

With time winding down to H-day (Halloween to all you squares) I know it must be down to the wire for some of you last minute costume procrastinators. We here at Turning Down the Suck are coming to the rescue with some costume ideas that are sure to please and make you the toast of the town. So without further ado, we bring you… Costumes That Don’t Suck! (And a Few That Do.)

Steampunk Ironman

You don’t have to go to far to see how popular Iron Man is this year. Shelves in stores from Wal-Mart to Value Village are overflowing with cheap Iron Man/War Machine knock offs. Don’t be a lame follower, do what this guy did and put a fun spin on the classic Iron Man, or for that matter go as Classic Iron Man, he’s cooler anyway.

Transformers/ Voltron

Not the easiest costume to pull off, but if you can get it right you’ll be the talk of all your friends for years. Not for the faint of heart, these costumes usually take at least a month and cardboard cuts are the worst, but seeing your friends' jaws drop when you transform the mofo is worth all the work!

Zoltar

This is a costume that if done right will totally freak people out; a friend of mine did it last year. His makeup was done to make him look like he was made of plastic and he would randomly set himself up by ATMs or outside bars. People would come up and drop a nickel in the slot to get a fortune and he would suddenly animate and scare the pants off of them. The only drawback is that this costume is really bulky and a pain in the ass to carry around all night.

Zombie

Best costume in a pinch. Uber cheap and depending on how much time you have and how much effort you're willing to put into it, you can really come out with some scary stuff!

Teenage Mutant Ninja Turtles

Okay, name one kid who didn’t ever dress as a Ninja Turtle for Halloween. From 1987, when the cartoon came out, till I dunno, TODAY, kids have been dressing as the fearsome four. But it’s not just for kids, get your 3 best friends to order a pizza and get ready for the “Awww that’s awesome!” and “You guys are rad” ’s to start rolling in.

Teen Wolf - Special Mention.

This is a picture of my friend Dom who died last year. Halloween was his favorite time of the year and his costumes were always the best. We’ll miss you buddy.

Teen Wolf is a great costume not only 'cause it looks amazing but you can also go half the night as regular Scott (Michael J. Fox) then change into the wolf later on. You can even tell all your friends you forgot your costume then come out and surprise everyone! You’ll be the coolest guy around.

And now for the ones that suck...

Tron

I think it should be a rule of thumb that you stay away from spandex, latex or lycra unless you are a hot chick, then by all means spandex away. A wise man (or woman) once said “spandex is a privilege, not a right!”

Poorly Executed Star Wars Costumes

Star Wars is such an iconic institution that when your Storm Trooper sucks, it stands out. Take some time and plan these ones out, unlike these poor souls:

Good

Bad

Well now that we’ve given you some kick ass (hopefully) ideas on the do’s and dont's of the holiday, (and I do consider it a holiday), get out there and get as much candy as you can. And here’s hoping you win a contest or two with some of our ideas (I expect a letter in the mail, some pictures and one of your tootsie rolls!)